4/26/2023 0 Comments Renaine ost![]() It thus provides a complete overview of the music and its context. ![]() The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain) genre studies (Mass, motet, madrigal, chanson, instrumental music, opera) and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of "Renaissance" and "Baroque"). The chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. ![]() Fabrice Fitch teaches at the Royal Northern College of Music Jacobijn Kiel is an independent scholar. The collection also includes two newly published compositions dedicated to the honorand. Studies include major archival discoveries concerning the identity of the composer Fremin Caron a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi a freshlook at key works from Du Fay's youth and early maturity accounts of newly discovered sources and works and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. Essays on Renaissance Music in Honour of David Fallows by Fabrice Fitch (Editor, Contribution by) Jacobijn Kiel (Editor, Contribution by) Adam Knight Gilbert (Contribution by) Alejandro Planchart (Contribution by) Andrea Lindmayr-Brandl (Contribution by) Andrew Kirkman (Contribution by) Anthony Rooley (Contribution by) Barbara Haggh (Contribution by) Bonnie Blackburn (Contribution by) Dagmar Hoffmann-Axthelm (Contribution by) Eric Jas (Contribution by) Esperanza Rodríguez-Garcia (Contribution by) Eugeen Schreurs (Contribution by) Gianluca D'Agostino (Contribution by) Honey Meconi (Contribution by) Jaap van Benthem (Contribution by) James Haar (Contribution by) Jane Alden (Contribution by) Jeffrey Dean (Contribution by) Jesse Rodin (Contribution by) John Milsom (Contribution by) Joshua Rifkin (Contribution by) Keith Polk (Contribution by) Kinuho Endo (Contribution by) Leofranc Holford-Strevens (Contribution by) Lorenz Welker (Contribution by) Margaret Bent (Contribution by) Markus Jans (Contribution by) Matthew Laube (Contribution by) Oliver Neighbour (Contribution by) Peter Gülke (Contribution by) Peter Wright (Contribution by) Reinhard Strohm (Contribution by) Richard Sherr (Contribution by) Rob Wegman (Contribution by) Tess Knighton (Contribution by) Thomas Schmidt-Beste (Contribution by) Warwick Edwards (Contribution by)
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